It's a song that makes the blood pump and stills the heart, all at the same time. No, that would be my own brain. You just forgive them because they're human and they fuck up, you know? 'Let's sit down and let's write those chords that you have to write to finish this song.' "I'll do whatever it takes make music I think is inspired. But it has to be on my terms. Let's start with an indisputable fact: Kevin Parker is not Jesus. So 10 songwriters in a room spitballing ideas, I don’t think that’s something she would be into. So it just reminded me of all the people that I never got back to [Laughs]. I couldn’t believe it. But 'Glimmer' was just something I was messing around with in the studio one day. With Gaga, that’s what drives her is feeling like a true artist. Which is different in how you go about it, but mentally it’s exactly the same. 'Glimmer', especially, sounds like a house record. At least to my knowledge. "It took over almost instantly from me playing with Lego. Although Parker would rather be touring in support of this year’s grand return The Slow Rush, the Fremantle Harbour vicinity is a good place to be right now. Which is something very close to my heart because I’m rubbish at getting back. PARKER: Yeah, something like that. Some people hate doing that and I'm one of them. Her label got in contact and asked if they could have the stems because Rihanna wanted to do something with it — which, I was amazed. I mean, it's no more uncomfortable than just meeting new people. Almost like a palate cleanser. Which was surprised everyone. Tame Impala’s Kevin Parker Talks Todd Rundgren, Expecting the Unexpected, and Why Being a Tame Impala Fan Takes Dedication “I just go to the studio every day and do my thing.”. PARKER: I just did the drums. Tame Impala was recently nominated for 2 Grammy awards — “Best Alternative Album” and “Best Rock Song” for the single “Lost In Yesterday.” This marks the third nomination in the Alternative category for Parker, having previously been nominated for Currents and Lonerism . But it won't stop me trying. So the last bit of the song is meant to suggest this idea that when you forgive someone who's dead, you don't forgive them because they were suddenly able to explain themselves. But the awkwardness endures. I’ve caught that bug. "From the moment I think of a song, it's a series of let downs. That sounds really depressing but it's not. the AU review sits down in the Austin Airstream at Austin City Limits (ACL) 2013 with Kevin Parker from Perth's Tame Impala. So I think it was only ever going to be really homegrown with Mark producing it. PARKER: I don’t know, man. It's funny, because every night I walk on stage, you know, in the few minutes before I step on stage, I'm like, 'Oh my god, what am I doing?' PARKER: What’s funny is I didn’t know who anyone was. Music had already saved him once, in the wake of his parents' divorce, first when he discovered drums at the music school they sent him too and then when he started dabbling with the guitars that littered his father's house. Have you done work besides, you know, massive international success? His parents – both emigrés, his father a Zimbabwean accountant, his mother a free spirit from South African – divorced when he was four. This sounds a very overblown way of saying it, but it took international success for me. We were just starting out, young guys from Perth, all fairly socially inept, so everything was pretty intimidating — which I wish it hadn’t been. Alongside his own band’s accomplishments, he’s become an in-demand producer frequently tasked with lending his unique sensibility to songs by A-list pop and rap stars. He can lean out from the edge of a stage and make tens of thousands of people feel like he's singing just to them. And I met him really briefly at a festival in, I think it was Belgium, just recently, which was a trip because I’d always wanted to meet Mike Skinner. Yeah, he just got in touch and asked me to do something. For me, the music I imagine making is for people listening to by themselves. Being afraid of people judging me, which everyone has, but I had it particularly hard. I spend by far the most amount of time on drums and rhythms of my songs than any other part. Obviously on the scale of things to feel guilty about it’s obviously not something that I should, but it is. 86.0k members in the TameImpala community. Because we get together and I can sometimes just be in a giggly mood because I'm hanging out with Mark. Pre-order it now here, Styling: James Sleaford | Styling assistant: Rosalind Donoghue, Grooming: Andrea Gomez Anzola using ClarinsMen. It would also make sense of their fervour, which seems religious in its intensity, as though they're experiencing his music as something more than music, something transcendental. I'm not going to tell them to ram it. Like I honestly thought it was hilarious. Everyone was telling us, “Don’t bother going after them because in China copyright law is heaps more loose. Tame Impala frontman Kevin Parker explains his secret source of inspiration and how standing in front of a really really big crowd keeps you anything … It’s not the kind of thing I waste my time on or can even stomach. PARKER: We did “Sundress” and his song “LSD,” which was really fun because we got to practice just doing that, just taking a hip-hop track and doing it in a live band sense. He is a sought-after collaborator who literally cannot write music with anyone else in the room. KEVIN PARKER: He just got in touch and said he was doing this project. When he joined bands later, using music as a way to make new friends, he struggled to draw the lines between fun and work. STEREOGUM: Mayer’s a big fan of yours. It was still just like all he wanted to do was make an awesome album. Tame Impala ‘s Kevin Parker thinks Cardi B and Megan Thee Stallion ’s hit track ‘WAP’ is a “perfect song”. I know it’s ruining my hearing, I’m damaging my hearing because I work at high volume, but it’s worth it because it carries you to the finish line of finishing music, loving the music more. It’s everything. He had no producer, no engineer, no session musicians, sometimes not even friends to ask for feedback. But it’s the kind of thing where we were always going to be musical buddies. We didn’t know who anyone fuckin’ was. It’s been in limbo for two or three years now. I've always just checked myself to not make Tame Impala that. 964 votes, 25 comments. I hate doing stems because you have to send the song out in pieces, basically. It's a little bit daunting because I never consider my music as something that needs to be performed live for it to fulfil its potential. But you could have that. Yeah. PARKER: Yeah. He is a festival-headlining pop artist who makes dense psychedelic rock music. When I'm working on something that I've written myself, and no one in the entire world has heard it, I feel like the first person who does is gonna burst into tears of joy and tear off their clothes and run into the ocean. And I hate being stoned in public, right? This dichotomy is encapsulated in his songs, which can feel both intimate and enormous. Nothing. There was no band. Matt Fink ( Under the Radar ): The last time I talked to you, you explained that your songwriting process eventually breaks down over minute details that most listeners will never even be able to hear. PARKER: I guess I was just using all my producer power to make us, a rock band, not sound like a rock band. You know? Do you actually feel this way, or is this just the post-album emotional hangover? I’m just rubbish. If you play that, there’s a soundalike of “Someday” in there. But I didn’t meet him until like a year later, whenever “Fuckin’ Problems” came out. PARKER: We met by chance on a festival circuit in Australia. I haven't written a single chord progression in the company of another person that made it in the actual song. It makes me dream, you know? Which may be this pot of gold at the end of the day is the same time will... 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